Kasimir Malevich :: Russian Painter Designer Artists Essays

Kasimir Malevich Kasimir Malevich, a Russian painter and designer, was born near Kiev on February 26, 1878 (Guggeheimcollection.org) and was genius of six children from Russified Poles (Articons.co.uk). While living in Ukraine, he became absorbed into machination during his teens, largely teaching himself the basics (Articons.co.uk). After saving his money from his business concern as a railroad clerk (Articons.co.uk), Malevich enrolled in the Moscow add of Painting, Sculpture, and Architecture in 1903 and began to study art more seriously. Later he trained at Kiev School of Art and Moscow honorary society of Fine Arts and produced portraits, landscapes, and genre scenes in his early stages of his career (Artstudio.com). By 1907 Malevich took part in the Moscow Artists Societys twice yearly exhibition on with such artists as David Burliuk, Aleksander Shevchenko and Natalia Goncharova (Articons.co.uk). He began working in an unexceptional Post-Impressio nist manner, yet by 1912 he was painting peasant subjects in a grand tubular elbow room similar to that of Leger as well as pictures compounding the fragmentation of form of Cubism with the multiplication of the image of Futurism (ibiblio.org). In these initial historic period of study, art was not the only interest in Malevichs repertoire. In 1913, with composer Mikhail Matiushin and writer Alexei Kruchenykh, Malevich drafted a manifesto for the First Futurist Congress (Guggenheimcollection.org) and began victorious a more philosophical and theoretical approach to art (Articons.com). too in that year, the artist designed the sets and costumes for the opera Victory over the insolate for these friends which was showed at the Salon des Independants in Paris in 1914. Kruchenykh and others introduced Malevich to the the pattern of zaum in 1913, which was a state where experience occurs beyond the naturally perceive world (Articons.com). This concept and his work for the Cubo-Futurist opera Victory Over The sunlight (1913) propelled Malevich into the style of Suprematism (Articons.com). It was at this time he began creating geometric patterns in style he called Suprematism (ibiblio.org). Although Malevich claimed to have created a picture consisting of nothing more than a black square on a white field, (ibiblio.