The Folly of Hypocrisy Exposed in Arms and the Man :: Arms and the Man Essays

The Folly of Hypocrisy Exposed in mail and the Man Satire is the biting exposure of charitable folly which criticizes human conduct, and aims to correct it (Di Yanni 839). Moliere was the French master of satiric comedy, and Shaw has been hailed likewise--as the Irish Moliere. In mail and the Man, Shaw demonstrates his genius for satire by exposing the incongruities of life and criticizing the contradictions in human char figureer. recognise and war atomic number 18 the main subjects of this play. Shaw addresses each, showing the disparity between how these issues are perceived and what they are in actuality. Love, of course, is a lot regarded in romantic terms. Raina, of ordnance and the Man, is described as a young, beautiful woman who indeed does collar to idealistic notions concerning the emotion of sack out. To her, the orbit really is a glorious world for women who can see its glory and men who can act in its romance (Shaw 1294, act 1). She acts as though she ca n continue to screw in her ideal world forever and believes that she has found a legitimate love in Sergius. As a couple, they put on a show for each other to prove their emotions are real. Raina says, in effect, that she is thoroughgoing(a) in Sergius company--When I think of you, I feel that I could neer do a base deed, or think and ignoble thought--and he, in hers--You will never disappoint me, Sergius, she adds (1311, act 2). However, by the plays end, Shaw is eager to rat that all is not as it seems with any of the characters, especially with Raina. The audience knows it, and the characters try the truth, too. When Sergius discovers the facts about his fiance, he exclaims, You love that man . . . You allow him to make love to you scum bag my back, just as you treat me as your affianced husband behind his (1329, act 3). Later, he comes to the realization that their romance is shattered. And Lifes a farce (1330, act 3). It almost seems as though the playwright himself is saying this line he speaks them to the audience as directly as if he were on stage. For Shaw often stocked his plays full of lines in which the characters explode romantic elusions (Ervine 269). Love, though, is not the that concept around which romanticism abounds.