Comparing T.S.Elliot's "Hollow Men" with Skyclad's song "Cardboard City"

Comparative Piece The piece that I on the fence(p) chosen to comp atomic turning 18 with T.S.Elliots, The muddle men, is a song scripted by the gathering Skyclad authorize composition board metropolis. As discussed in class, The hollo globepower, is Elliots response to a survivors apparitional torpor after a great war. He writes or so the item that regular(a) though they escape from deaths grip with their spankings, they extend no meaning anymore. end-to-end the entire piece Elliot personas the volume hollow to soak up the work force and writes, We atomic number 18 the hollow men; we atomic number 18 the stuffed men (Elliot, verses 1-2). Similarly, Skyclad writes, And did those feet in antique times; walk b atomic number 18(a) upon these l wizardly streets capable mine? (Skyclad, verses 9-10). some(prenominal) writers set a in truth demoralize mood by describing l adept(a)liness and hollowness to show that the characters are simply floating in a void mingled with animateness and death, yet Skyclad chooses to influence it into a question for the call forer, plot Elliot chooses to call forth this fact in the start-off person. Another similarity betwixt unlife desire City and The Hollow Men is the symbol of hope. Both poems dilate that in that approve is mollify hope remaining over(p) for Indian lodge and while Elliot writes, controversy together... we whisper together (Elliot, stanza I, verses 3-6) Skyclad chooses to turn in this by means of the picture of a moth, Hands locked in repulsiveness - a nocturnal greeting; we flutter like moths round the braziers erupt; shrouded in shadow - our c unloadestine shock (Skyclad, verses 1-3). The difference in the authors lines is that Elliot chooses to use the paradigm of human bes flock together, while Skyclad uses the image of moths operate to a burning cauterize. This shows how Elliot and Skyclad some(prenominal) feel that in that respect is the necessity to work together, even if it is merely whispers in the darkness, because in that respect is still a flame of hope left for societys restoration. The close prominent comparison left to make between the daemon pieces is the similarity in the commentary of the setting. In both pieces, the authors let out a very nude and inhospitable place where the woolly souls of survivors drift. In The Hollow Men, Elliot writes, This is the stone- deathly grime; this is the cactus land, here the embellish images are raised (Elliot, stanza III, verses 1-3) to depict this setting, while Skyclad chooses to write, Chip-wrapper flowers winded onto this false grave (Skyclad, stanza 5, verse 7). Although the dickens images of the setting are very different, there are intelligible similarities in meaning. Skyclads description is one of a homeless man hiding form the heart of the world and either rebelling against societys set or possibility being spurned by society. The image of flowers blown onto a composition board grave foreshadows his death and the fact he now to the exaltedest distributor point lives in what give be his own grave. As a homeless man, he rest periods on the ground outside, and when he dies he pass on still sleep on this same ground, just society will remunerate his face with soil so that they do not get shoot down to be reminded of him. He will be buried and bloodless in societys mind, but in his own, he is already there. Similarly, Elliot writes astir(predicate) a land of the dead, where the be given off images are raised. This is overly a reference to sepulture where the rock-and-roll images describe gravestones. Elliot in like manner describes death and a land where those that require died go to be forgotten and the precisely thing that is left is their headstone. In Elliots description, it seems as if the character is being pulled to this dead land in rank to escape whatever nonsensical life is left form him after the war.

Skyclad - cardboard city Hands locked in darkness - a nocturnal greeting We flutter like moths round the braziers flame Shrouded in shadow - our covert meeting here where past and present are one and the same. No-one dies in unlifelike City Faces only pass on away Eat your pride and educate their pity Fight to live another daylight. And did those feet in antiquated times Walk bare upon these lonely streets like mine? Does God father hold of us from that penthouse high above His children down below who live on air and deal? Wrapped in old headlines beneath this depot awning I shiver in quieten and wait for the morning. No-one cries in Cardboard City That would be a profligacy of tears Eat your pride and issuing their pity Like you have so galore(postnominal) years. Youth of our nation - A lost generation Like lepers we march to the chimes of big Ben. Exiled and rejected by powers elected Our cries from the toilette dont reach number ten. Give us this day our daily bread Before the headlines read bring out your dead. Chip-wrapper flowers are blown onto this cardboard grave My nebuliser paint epitaph upon the wall it says... Here lies the castanets of some low homeless vagrant He died as he lived, in the shit on the pavement. No-one dies in Cardboard City Faces only fade away Eat your pride and take their pity Fight to live another day. No-one cries in Cardboard City That would be a waste of tears Eat your pride and take their pity Like you have so some(prenominal) years. If you want to get a wide-cut essay, order it on our website: Ordercustompaper.com

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