This is an adapted screen play from "Waiting for the Barbarians" by Cotzee

Waiting for the Barbarians: SCREENPLAY IN. GRANANRY -DAY TRACKING apoplexy- FRONTAL VIEW Magistrate and Joll are base on balls quickly down the hall. at that place are tacky noises in the background of doors shutting and mickle walking) MAGISTRATE What if your prisoner is coitus the truth, further finds he is non believed? Is that not a terrible mystify? Imagine: to be vigilant to yield, to yield, to render nothing to a greater extent than(prenominal) to yield, (speech becomes sudden and passionate) to be broken, yet to be pressed to yield more! And what a righteousness for the interrogator! How do you ever grapple when a piece of music has told you the truth? (gasp) Joll walks faster and Magistrate waterfall behind. COLONOL JOLL There is a current savour (verbal pause). A authoritative tone enters the voice of a man who is telling the truth. develop and experience train us to recognize that tone. (said with declaration and assurance) approximate UP- MAGIS TRATE show aggravation MAGISTRATE The tone of truth! TRACKING piquantness - FRONTAL VIEW MAGISTRATE Can you pick up this tone in every day speech? Can you apprehend whether I am telling the truth? (said as he catches up with Joll) Both men stop and face separately other. COLONEL JOLL No, you misunderstand me.

I am speaking only of a special situation now, I am speaking of a situation in which I am probing for the truth, in which I have to exert pressure to find it. low I trance lies, you see - this is what happens-first lies, past pressure, then more lies, then more pressure, then the break, then more pressure, the n the truth. This is how you get the truth. ! Magistrate continues on by himself into the prison section of the Granary. IN. prison house - MID DAY SILENCE - echoes of disregard whispers LONG gun Magistrate pulls... If you want to get a full essay, order it on our website: OrderCustomPaper.com

If you want to get a full essay, visit our page: write my paper